Art of Native America: The Charles and Valerie Diker Collection at The Met Fifth Avenue

 

Headdress frontlet
Date: ca. 1820–40
Culture: Tsimshian, Native American
Medium: Wood, abalone shell, pigment, and nails
Accession Number: 2019.456.22
© The Metropolitan Museum of Art

 
 

ART OF NATIVE AMERICA

The Charles and Valerie Diker Collection

April 12, 2021 — Ongoing

 

The achievement of historical Native artists from across the United States and Canada is reflected in this installation of 116 works. More than fifty Indigenous groups are represented, as well as nearly all major historical Native American aesthetic forms: painting, drawing, sculpture, textiles, quill and bead embroidery, basketry, and ceramics. The works reveal the complexity, vibrancy, and variation of Native life and offer new narratives of America's past.

Most of the objects—made to be worn; to nourish; to hunt, defend, and protect; to heal; to cradle the young, and to invoke the spirits—were created in the eighteenth, nineteenth, and early twentieth centuries against the backdrop of Euro-American colonialism. They are organized into seven geographical regions: Woodlands, Plains, Plateau, California and Great Basin, Southwest, Northwest Coast, and the Arctic.

This long-term installation consists of promised gifts, donations, and loans from the pioneering collectors Charles and Valerie Diker. Their belief in the potential of these objects to broaden historical, cultural, and aesthetic understanding inspired their generosity. The presentation marks the first significant display of Native art in the American Wing, established in 1924.

The exhibition is made possible by The Peter Jay Sharp Foundation, the Diane W. and James E. Burke Fund, the Enterprise Holdings Endowment, and the Walton Family Foundation.

 
 
 

Click the image below to watch a video playlist detailing the Art of Native America: The Charles and Valerie Diker Collection exhibition.

 
 
 

Exhibition Highlights

 

Headdress frontlet
Date: ca. 1820–40
Culture: Tsimshian, Native American
Medium: Wood, abalone shell, pigment, and nails
Accession Number: 2019.456.22
© The Metropolitan Museum of Art

Shield
He Nupa Wanica/ Joseph No Two Horns (Hunkpapa Lakota/ Teton Sioux, 1852–1942)
Date: ca. 1885
Culture: Hunkpapa Lakota/Teton Sioux, Native American
Medium: Tanned leather, pigment, wood, and feathers
Accession Number: 2019.456.20
© The Metropolitan Museum of Art

Raven rattle
Attributed to Albert Edward Edenshaw (Haida, 1812–1894)
Date: ca. 1850
Culture: Haida, Native American
Medium: Wood, pigment, glass beads and vegetal fiber
Accession Number: 2019.456.12
© The Metropolitan Museum of Art

War club
Date: ca. 1750
Culture: Anishinaabe, probably Ojibwa, Native American
Medium: Wood, pigment and nail
Accession Number: 2017.718.5
© The Metropolitan Museum of Art

Shoulder bag with missing strap
Date: ca. 1800
Culture: Anishinaabe, possibly Mississauga Ojibwa, Native American
Medium: Tanned leather, porcupine quills, dye, glass beads, silk ribbon, metal cones, and deer hair
Accession Number: 2019.456.3
© The Metropolitan Museum of Art

Mask
Date: ca. 1900
Culture: Yup’ik, Native American
Medium: Wood, pigment, vegetal fiber, iron nails, and feathers
Accession Number: 2017.718.3
© The Metropolitan Museum of Art

Shoulder bag
Date: ca. 1830
Culture: Seminole, Native American
Medium: Wool cloth, cotton cloth, wool yarn, glass beads, and silk ribbon
Accession Number: 2019.456.11
© The Metropolitan Museum of Art

Bowl
Date: ca. 1800
Culture: Anishinaabe, probably Ottawa, Native American
Medium: Maple
Accession Number: 2019.456.15
© The Metropolitan Museum of Art

Comb
Date: ca. 1680
Culture: Seneca or Susquehannock, Native American
Medium: Moose antler
Accession Number: 2019.456.18
© The Metropolitan Museum of Art

Comb
Date: ca. 1680
Culture: Seneca or Susquehannock, Native American
Medium: Moose antler
Accession Number: 2019.456.18
© The Metropolitan Museum of Art