Arts of Africa at The Met Fifth Avenue

 

Tsesah crest
Grassfields artist
18th century
Cameroon, Bamileke region
Bamileke
Wood
Purchase, Acquisitions and Rogers Funds, and Anonymous, James J. Ross, and Marian Malcolm Gifts, 2017
2017.35
© The Metropolitan Museum of Art

 
 

Arts of Africa

Special Installation

May 31, 2025 — Ongoing

 

The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the re-envisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.

The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. A major emphasis in the reenvisioned galleries is on authorship and biographies featured in labels accompanying the creations of some 40 recognized masters of individual artists, ranging from Ọlọ́wẹ̀ of Ìsẹ̀ (ca. 1873–1938, Efon-Alaaye, Nigeria) to Abdoulaye Konaté (born 1953, Diré, Mali). The art on display encompasses works from Mali to Madagascar, created from the twelfth century to the present, in a diversity of media, ranging from wood sculpture and textiles to photography.

The works conserved and presented at The Met are elements of the myriad cultural landscapes that blossomed south of the Sahara. Among those original sites of creation are storied hubs of global commercial trade, the affluent courts of powerful West and Central African monarchs, and ephemeral transient equatorial rainforest settlements. Artists and their workshops masterfully translated and amplified an array of distinctive worldviews into artifacts that enhanced otherwise fleeting everyday lived experience or events of great pomp and circumstance animated by dancers and musicians. Some relate to ongoing local practices; others were given new life in the Americas following ongoing population movements beginning in the seventeenth century. Even fully isolated from those cultural contexts, many of these works of daring ingenuity have, since the twentieth century, been catalysts for innovators inspired by their originality and arresting visual power to take new leaps.

Physically transformed by Kulapat Yantrasast of WHY Architecture and Beyer, Blinder, Belle Architects LLP, in collaboration with The Met’s Design Department, the reconceived galleries anchor this extraordinary collection within regional architectural vernaculars and pay tribute to Africa’s distinctive cultural landmarks while also highlighting connections to other major world traditions.

Critical to this ambitious effort, The Met’s curatorial team benefited from national and international expertise throughout the development, planning, and execution of this capital project. The reinstallation is grounded in contemporary research and exchanges with a network of international experts based in the United States and across sub-Saharan Africa—from historians to novelists to musicians, many of whom are featured in the new audio guide tour.

A major component of the expanded contextualization is a digital initiative that introduces Africa’s distinctive cultural landmarks and was undertaken in partnership with the World Monuments Fund (WMF). Together, The Met and WMF jointly selected sites across sub-Saharan Africa that span from antiquity to the twentieth century—some of which are currently inaccessible to most visitors—for their cultural and historical significance. These landmarks are featured in a series of a dozen short films produced with Sosena Solomon in collaboration with The Met’s curatorial and digital teams and in partnership with cultural experts in Ghana, Liberia, Nigeria, Ethiopia, Madagascar, Tanzania, Zimbabwe, South Africa, Republic of Benin, Botswana, Uganda, and Togo, and can be accessed through in-gallery prompts or through the online exhibition guide.

 
 
 

Exhibition Highlights

 

Ùhúnmwèlaò (head of an ọ́bà)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Early 15th–mid-16th century
Nigeria, Court of Benin
Edo peoples
Brass
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1972
1978.412.324
© The Metropolitan Museum of Art

Gwandansu
Bamana numuw (blacksmith)
15th–17th century
Mali, Bougouni region
Bamana
Wood (Cordyla africana or Lonchocarpus), applied organic materials
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
1979.206.121
© The Metropolitan Museum of Art

Tsesah crest
Grassfields artist
18th century
Cameroon, Bamileke region
Bamileke
Wood
Purchase, Acquisitions and Rogers Funds, and Anonymous, James J. Ross, and Marian Malcolm Gifts, 2017
2017.35
© The Metropolitan Museum of Art

Mwanangana (lord of the land) playing a sanza
Chokwe artist
19th century (before 1869)
Angola
Chokwe
Wood (uapaca), cloth, plant fiber, beads, dye, resinous coating
Rogers Fund, 1988
1988.157
© The Metropolitan Museum of Art

Iphri shrine
Ijo artist
19th century
Nigeria, Niger Delta region
Ijo peoples
Wood, pigment
The Michael C. Rockefeller Memorial Collection, Purchase, Matthew T. Mellon Foundation Gift, 1960
1978.412.404
© The Metropolitan Museum of Art

Priest with raised arms
Dogon blacksmith
14th–17th century
Mali, Bandiagara Escarpment, Tintam village (?)
Dogon
Wood, patina
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1969
1978.412.322
© The Metropolitan Museum of Art

Eyema byeri (reliquary guardian figure)
Okak-Fang artist
19th century
Gabon or Equatorial Guinea
Wood, copper alloy, palm oil
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1965
1978.412.441
© The Metropolitan Museum of Art

Court official from a commemorative altar
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
16th–17th century
Nigeria, Court of Benin
Edo peoples
Brass
Gift of Mr. and Mrs. Klaus G. Perls, 1991
1991.17.32
© The Metropolitan Museum of Art

Staff with seated male leader
Dogon or Bozo blacksmith
16th–17th century
Mali
Dogon or Bozo
Copper alloy, iron
Edith Perry Chapman Fund, 1975
1975.306
© The Metropolitan Museum of Art

Fragment of a leopard head
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
early 17th century (?)
Nigeria, Court of Benin
Edo peoples
Brass, pigment (?)
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1964
1978.412.304
© The Metropolitan Museum of Art

Ùhúnmwèlaò (head of an ọ́bà)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Early 15th–mid-16th century
Nigeria, Court of Benin
Edo
Brass
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
1979.206.86
© The Metropolitan Museum of Art

Hazomanga finial
Sakalava artist
17th–late 18th century
Madagascar, Menabe region
Sakalava
Katrafay wood (Cedrelopsis grevei), pigment
Purchase, Lila Acheson Wallace, Daniel and Marian Malcolm, and James J. Ross Gifts, 2001
2001.408
© The Metropolitan Museum of Art

Pendant mask of Ìyọ́bà Idià
Ìgbèsànmwà (ivory- and wood- carving guild) artists
16th century
Nigeria, Court of Benin
Edo
Ivory, iron, brass, coal, traces of iron oxides
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1972
1978.412.323
© The Metropolitan Museum of Art

Seated couple
Barnes Foundation Master
18th–early 19th century
Mali, Bandiagara Escarpment
Dogon
Wood, copper and iron alloy, applied organic materials
Gift of Lester Wunderman, 1977
1977.394.15
© The Metropolitan Museum of Art

Plaque with Warrior and Attendants
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
ca. 1540–70
Nigeria, Court of Benin
Edo
Brass
Gift of Mr. and Mrs. Klaus G. Perls, 1990
1990.332
© The Metropolitan Museum of Art

Lupona (royal seat)
Ngongo ya Chintu, formerly known as the "Buli Master" (ca. 1810-1870, Kateba region, Democratic Republic of the Congo)
ca. 1840–1870
Democratic Republic of the Congo, Kateba village region
Wood, metal studs
Purchase, Buckeye Trust and Charles B. Benenson Gifts, Rogers Fund and funds from various donors, 1979
1979.290
© The Metropolitan Museum of Art

Plaque with equestrian ọ́bà (king) and attendants
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
ca. 1540–70
Nigeria, Court of Benin
Edo peoples
Brass
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1965
1978.412.309
© The Metropolitan Museum of Art

Staff (Recade): Bird
19th century
Republic of Benin
Fon peoples
Brass (hammered), copper, tin, seed pod(?)
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
1979.206.82
© The Metropolitan Museum of Art

Àgéré Ifá (Ifá divination vessel) with kneeling woman
Yoruba artist
17th–19th century
Nigeria, Owo
Yoruba peoples, Owo group
Ivory, wood or coconut shell inlay
Gift of Mr. and Mrs. Klaus G. Perls, 1991
1991.17.127
© The Metropolitan Museum of Art

Nlô byeri (reliquary guardian head)
Betsi-Fang artist
19th century
Gabon
Fang-Betsi
Wood, copper alloy, palm oil
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
1979.206.229
© The Metropolitan Museum of Art

Lidded saltcellar
Temne or Bullom artist(s)
ca. 1490–1530
Sierra Leone
Temne or Bullom
Ivory
Gift of Paul and Ruth W. Tishman, 1991
1991.435a, b
© The Metropolitan Museum of Art

Female figure with raised arm
Tellem blacksmith
15th–17th century
Mali, Ireli
Tellem civilization (?)
Wood (Moraceae family), applied organic materials
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
1979.206.64
© The Metropolitan Museum of Art

Musamo (headrest)
Master of the Cascade Coiffure
ca. 1850–1900
Southeastern Democratic Republic of the Congo, Shankadi region, Lovoi River region
Wood, glass beads, plant fiber
Gift of Margaret Barton Plass, in honor of William Fagg, C.M.G., 1981
1981.399
© The Metropolitan Museum of Art

Mangaaka Power Figure (Nkisi N’Kondi)
Yombe-Kongo artist and nganga (ritual specialist)
Kongo artist and nganga, Yombe group
ca. 1880–1900
Republic of the Congo or Cabinda, Angola, Chiloango River
Kongo
Wood, iron, resin, ceramic, plant fiber, textile, pigment
Purchase, Lila Acheson Wallace, Drs. Daniel and Marian Malcolm, Laura G. and James J. Ross, Jeffrey B. Soref, The Robert T. Wall Family, Dr. and Mrs. Sidney G. Clyman, and Steven Kossak Gifts, 2008
2008.30
© The Metropolitan Museum of Art

Seated figure
13th century
Mali, Inland Niger Delta region
Middle Niger civilization
Terracotta
Purchase, Buckeye Trust and Mr. and Mrs. Milton F. Rosenthal Gifts, Joseph Pulitzer Bequest and Harris Brisbane Dick and Rogers Funds, 1981
1981.218
© The Metropolitan Museum of Art