Hiroshige’s 100 Famous Views of Edo (feat. Takashi Murakami) at the Brooklyn Museum

 

Left: Utagawa Hiroshige. Maple Trees at Mama, Tekona Shrine and Linked Bridge (Mama no momiji Tekona no yashiro Tsugihashi), no. 94 from 100 Famous Views of Edo, 1st month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.94. (Photo: Brooklyn Museum)
Right: Utagawa Hiroshige. Minowa, Kanasugi, Mikawashima (Minowa Kanasugi Mikawashima), no. 102 from 100 Famous Views of Edo, 5th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.102. (Photo: Brooklyn Museum)

 
 

Hiroshige’s 100 Famous Views of Edo

featuring Takashi Murakami

April 5, 2024 — August 4, 2024

 

What are the must-see locations in your favorite city? Where do you go when you need a breath of fresh air? What makes certain neighborhoods famous? Join an artist-insider on a tour of nineteenth-century Tokyo (then known as Edo), from lumberyards to destination restaurants, and see if his choices illuminate your own relationship with the cities you know well.

For the first time in twenty-four years, Utagawa Hiroshige’s 100 Famous Views of Edo—one of the Brooklyn Museum’s greatest treasures—returns to public display. The Museum’s complete set of these celebrated prints is among the world’s finest, full of vibrant colors preserved by decades in the dark. 

While most presentations have centered on the prints’ technical sophistication and influence on European artists, here we focus on their urban subject matter. Originally published in 1856–58, the series captures the evolving socioeconomic and environmental landscape of the city that would become Tokyo. Through both the prints and complementary objects drawn from the Museum’s collection, you’ll be immersed in mid-nineteenth-century Edo and see it through the eyes of the ordinary people who populate Hiroshige’s settings. You’ll encounter all four seasons in scenes of picnics beneath cherry blossoms, summer rainstorms, falling maple leaves, and wintry dusks. The exhibition also includes modern photographs to show how Hiroshige’s scenes morphed into today’s Tokyo.

Artist Takashi Murakami (born Tokyo, Japan, 1962) takes Hiroshige’s views into a more fantastical realm with a set of his own paintings. Created in direct response to 100 Famous Views of Edo, these works invite us to reconsider Hiroshige’s world and his contributions to global art history.

 
 
 
 
 
 
 
 

Exhibition Preview

 

Utagawa Hiroshige. Sudden Shower over Shin- Ōhashi Bridge and Atake (Ōhashi Atake no yudachi), no. 58 from 100 Famous Views of Edo, 9th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.58. (Photo: Brooklyn Museum)

 

Vincent van Gogh. Bridge in the Rain (after Hiroshige), 1887. Oil on canvas. Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation. (Photo: Bridgeman Images)

 

Takashi Murakami. Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Sudden Shower over Shin-Ōhashi Bridge and Atake, 2024. Acrylic on canvas mounted on wood panel, 137 13/16 × 89 9/ 16 in. (350 × 227.5 cm). ©2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy of the artist and Gagosian

 
 

Utagawa Hiroshige. Plum Estate, Kameido (Kameido Umeyashiki), no. 30 from 100 Famous Views of Edo, 11th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.30. (Photo: Brooklyn Museum)

 

Vincent van Gogh. Flowering Plum Orchard (after Hiroshige), 1887. Oil on canvas. Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation. (Photo: Bridgeman Images)

 
 

Utagawa Hiroshige. Blossoms on the Tama River Embankment, no. 42 in 100 Famous Views of Edo, 2nd month of 1856. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.42. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Horikiri Iris Garden (Horikiri no Hanashōbu), no. 64 from 100 Famous Views of Edo, 5th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.64. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Kiyomizu Hall and Shinobazu Pond at Ueno (Ueno Kiyomizudō no ike), no. 11 from 100 Famous Views of Edo, 4th month of 1856. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.11. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Inside Kameido Tenjin Shrine (Kameido Tenjin keidai), no. 65 from 100 Famous Views of Edo, 7th month of 1856. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.65. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Flower Pavilion, Dango Slope, Sendagi, no. 16 from 100 Famous Views of Edo, 5th month of 1856. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.16. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Plum Garden, Kamata (Kamata no umezono), no. 27 from 100 Famous Views of Edo, 2nd month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.27. (Photo: Brooklyn Museum)

 
 

Utagawa Hiroshige. Suijin Shrine and Massaki on the Sumida River (Sumidagawa Suijin no mori Massaki), no. 35 from 100 Famous Views of Edo, 8th month of 1856. Brooklyn Museum; Gift of Anna Ferris, 30.1478.35. (Photo: Brooklyn Museum)

 

Takashi Murakami. Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Suijin Shrine and Massaki on the Sumida River, 2024. Acrylic on canvas mounted on wood panel, 137 13/16 × 89 9/ 16 in. (350 × 227.5 cm). ©2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy of the artist and Gagosian

 
 

Utagawa Hiroshige. Ryōgoku Ekōin and Moto- Yanagibashi Bridge (Ryōgoku Ekōin Moto- Yanagibashi), no. 5 from 100 Famous Views of Edo, 5th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.5. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Hatsune Riding Grounds, Bakuro-chō (Bakuro-chō Hatsune no Baba), no. 6 from 100 Famous Views of Edo, 9th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.6. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Minowa, Kanasugi, Mikawashima (Minowa Kanasugi Mikawashima), no. 102 from 100 Famous Views of Edo, 5th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.102. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Nihonbashi Bridge and Edobashi Bridge (Nihonbashi Edobashi), no. 43 from 100 Famous Views of Edo, 12th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.43. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Silk-Goods Lane, Ōdenma-chō (Ōdenma-chō gofukudana), no. 74 from 100 Famous Views of Edo, 7th month of 1858. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.74. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Asakusa Ricefields and Torinomachi Festival (Asakusa tanbo Torinomachi mōde), no. 101 from 100 Famous Views of Edo, 11th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.101. (Photo: Brooklyn Museum)

 
 

Utagawa Hiroshige. Suidō Bridge and Surugadai (Suidōbashi Surugadai), no. 48 from 100 Famous Views of Edo, 5th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.48. (Photo: Brooklyn Museum)

 

Takashi Murakami. Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Suidō Bridge and Surugadai, 2024. Acrylic on canvas mounted on wood panel, 137 13/16 × 89 9/ 16 in. (350 × 227.5 cm). ©2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy of the artist and Gagosian

 
 

Utagawa Hiroshige. View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya (Massaki-hen yori Suijin no mori Uchigawa Sekiya no sato o miru zu), no. 36 from 100 Famous Views of Edo, 8th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.36. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Fudō Falls, Ōji (Ōji Fudō no Taki), no. 49 from 100 Famous Views of Edo, 9th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.49. (Photo: Brooklyn Museum)

Utagawa Hiroshige. View of Nihonbashi Tōri 1-chōme (Nihonbashi Tōri-itchōme ryakuzu), no. 44 from 100 Famous Views of Edo, 8th month of 1858. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.44. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Dyers’ Quarter, Kanda (Kanda Kon’ya-chō), no. 75 from 100 Famous Views of Edo, 11th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.75. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Cotton-Goods Lane, Ōdenma- chō (Ōdenma-chō momendana), no. 7 from 100 Famous Views of Edo, 4th month of 1856. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.7. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Maple Trees at Mama, Tekona Shrine and Linked Bridge (Mama no momiji Tekona no yashiro Tsugihashi), no. 94 from 100 Famous Views of Edo, 1st month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.94. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Dawn inside the Yoshiwara (Kakuchū shinonome), no. 38 from 100 Views of Edo, 4th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.38. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), no. 90 from 100 Famous Views of Edo, 9th month of 1856. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.90. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Fireworks at Ryōgoku (Ryōgoku hanabi), no. 98 from 100 Famous Views of Edo, 8th month of 1858. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.98. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Meguro Drum Bridge and Sunset Hill (Meguro Taikobashi Yūhinooka), no. 111 from 100 Famous Views of Edo, 4th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.111. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Fukagawa Susaki and Jūmantsubo (Fukugawa Susaki Jūmantsubo), no. 107 from 100 Famous Views of Edo, 5th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.107. (Photo: Brooklyn Museum)

Utagawa Hiroshige. Atagoshita and Yabu Lane (Atagoshita Yabukōji), no. 112 from 100 Famous Views of Edo, 12th month of 1857. Woodblock print. Brooklyn Museum; Gift of Anna Ferris, 30.1478.112. (Photo: Brooklyn Museum)

 
 
 

Takashi Murakami. Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Kinryūzan Temple, Asakusa, 2024. Acrylic on canvas mounted on wood panel, 137 13/16 × 89 9/ 16 in. (350 × 227.5 cm). ©2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy of the artist and Gagosian

Takashi Murakami. Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Fukagawa Susaki and Jūmantsubo, 2024. Acrylic on canvas mounted on wood panel, 137 13/16 × 89 9/ 16 in. (350 × 227.5 cm). ©2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy of the artist and Gagosian