Japan de luxe: The Art of the Surimono Prints at Museum Rietberg

 

Totoya Hokkei (1780–1850), Kintoki in Old Age and a Small Demon, Edo period, 1833
© Museum Rietberg

 
 
 

Japan de luxe

The Art of the Surimono Prints

September 26, 2025 — July 12, 2026

 

With the exhibition Japan de luxe, Museum Rietberg showcases surimono, a distinctive form of Japanese colour woodblock print that emerged between the late 18th and mid-19th centuries.

Although surimono literally translates to ‘printed things’, these prints are far more than just that. Artfully designed and intricately printed on high-quality, unsized hōsho paper, each work is a gesamtkunstwerk.

Surimono were printed in small editions of 50 to 500, intended as intimate gifts commissioned by the urban bourgeoisie. They often served as status symbols for the select group who commissioned them, reflecting society at that time.

These luxurious greeting cards were made to mark seasonal festivals, personal and professional milestones and special cultural events. Their exquisite design delighted both givers and recipients, as did the multifaceted literary and cultural references contained in the poems and visual motifs.

Japan de luxe exhibits over one hundred prints. Most of them are gifts of Gisela Müller and Erich Gross and are shown here for the first time. This exhibition invites visitors to discover the elegance, poetry and hidden meanings of surimono.

 
 
 
 
 
 
 
 
 

Exhibition Preview

 

Toyohara Kunichika (1835–1900), Ichikawa Danjūrō IX as Kyūmonryū and Ichikawa Sadanji I as the flower priest Rochishin in the kabuki play 'Suikoden', Japan, 1886 © Museum Rietberg, Patrik Fuchs

Totoya Hokkei (1780–1850), Kintoki in Old Age and a Small Demon, Edo period, 1833 © Museum Rietberg

Maker unknown, The Highlight of the Year of the Monkey, Edo period, 1860 © Museum Rietberg

Katsushika Taito II (active ca 1810–1853), Courtesan on Elephant, Edo period, ca 1820–1840 © Museum Rietberg

Utagawa Toyokuni I (1769–1825), The Founder of the Lineage: Saigyū Danjūrō, Edo period, prob. 1825 © Museum Rietberg

Sonsai Kōitsu (active ca 1820–1840), Making Paper, Edo period, 1823 © Museum Rietberg

Totoya Hokkei (1780–1850), It is Good to Dig a New Well, from the series 'A Series for the Hanazono Circle', Edo period, around 1824 © Museum Rietberg

Motonobu (active ca 1820–1840), Katō Kiyomasa Defeating a Tiger, Edo period, prob. 1830 © Museum Rietberg

Utagawa Sadakage (active ca 1818–1844), Number Two: (Noji River in) Ōmi Province, from the series 'Six Jewel Rivers', Edo period, 1832 or 1844 © Museum Rietberg

 

Satake Eiko (1835–1909), Ichikawa Danjūrō IX (1838–1903), In the Artist's Studio, Meiji period, 1889 © Museum Rietberg