The Museum of Art & Photography (MAP) in Bengaluru, India

 

Primary Title: Sonabai Rajawar's House, Madhya Pradesh
Artist: Jyoti Bhatt, Indian, born 1934
Classification(s): Modern Photograph
Date: 1983
Medium: Silver gelatin print
Dimensions: Image: H. 11.6 cm, W. 17.1 cm; Paper: H. 12.7 cm, W. 17.8 cm
Place of Origin: Madhya Pradesh, India
Accession Number: PHY.01927
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

 
 

The Museum of Art & Photography (MAP)

Opening February 18, 2023

 

The Museum of Art & Photography (MAP), housed in a state-of-the-art building in South India’s capital city, Bengaluru, will open to the public on February 18, 2023.

MAP has been developed to act as a beacon for South Asian arts and culture worldwide. Benefitting from extensive digital as well as physical content, it will be the first new private museum to open in India in a decade. MAP is the brainchild of philanthropist and collector Abhishek Poddar, who also gifted the founding collection and is led by its Director, Kamini Sawhney. 

Speaking about MAP’s purpose, Museum Founder Abhishek Poddar said: “I believe we need MAP now because South Asian cultures represent the cultures of nearly a quarter of the world’s population, and yet their stories have not been told. I hope that through the building, the collections, and our online content, we can open up a dialogue with the world in this time when new narratives are being shaped.”

The Museum of Art & Photography's mission is to democratize art, making it an enjoyable and relevant experience for everyone. MAP hopes to change the general perception of museums in the country and show that they are, in fact, engaging spaces — of ideas, storytelling, dialogue, and cultural exchange, that will help build a museum-going culture. Ultimately MAP seeks to inspire people to interact with art in ways that encourage humanity, empathy, and a deeper understanding of the world we live in. 

MAP is custodian of a growing collection of over 60,000 artworks that take viewers on a comprehensive journey of Indian art and culture. Predominantly from the Indian subcontinent and dating from the 10th century to the present, the collection includes paintings, sculptures, textiles, photographs, and more. 

Launched in 2020, MAP’s digital museum has worked on innovative ways of connecting with audiences across the world. The digital museum offers curated online exhibitions, along with programming elements such as artist talks, panel discussions, workshops for children, masterclasses, and so on, that explore related themes. There is also a focus on quality content, ranging from blogs to essays and interviews, that appeal even to people who are unfamiliar with the arts. MAP’s core aim with the digital museum is to actively work at reaching and captivating new audiences, especially those who have had no previous exposure to the arts. 

Alongside this, MAP Academy is the first online resource making available South Asian art histories and offering online courses and access to its rapidly developing encyclopedia of works from the region. 

MAP will open its doors to the public in February 2023 in its landmark 44,000 square foot building, located in the heart of Bangalore’s museum quarter and designed by Bangalore-based architects Mathew & Ghosh. Divided into five stories, the museum will include art galleries, an auditorium, a library, a multimedia gallery, a technology center, a sculpture courtyard, a learning center, a specialized research and conservation facility, a gift store, a café, a member's lounge, and a terrace fine-dining restaurant.

 
 

Collection Themes

 

Primary Title: Portrait of a Goat, Old Delhi
Photographer: Raghu Rai, Indian, born 1942
Classification(s): Modern Photograph
Date: 1966
Medium: Silver gelatin print
Dimensions: Image: H. 30.2 cm, W. 22.9 cm
Place of Origin: New Delhi, India
Accession Number: PHY.12007
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Thoda Sa...
Artist: V G Venugopal, Indian, born 1976
Classification(s): Print
Date: 2006
Medium: Woodcut print on paper
Dimensions: Image: H. 35.4 cm, W. 25.3 cm; Paper: H. 52 cm, W. 36.9 cm
Place of Origin: India
Accession Number: MAC.00179-9
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Fire-Striker
Artist: Unknown
Classification(s): Decorative Art Metalwork
Date: c.1650
Medium: Carbon steel
Dimensions: H. 6.5 cm, W. 11 cm, D. 0.6 cm
Place of Origin: India
Accession Number: SCU.00290
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Pehli Jhalak
Artist: Aristo Cine Service
Classification(s): Film Ephemera, Lobby Still
Date: 1955
Medium: Silver gelatin print - black and white
Dimensions: H. 30 cm, W. 25.3 cm
Place of Origin: Bombay (Mumbai), Maharashtra, India
Accession Number: POP.00362
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Data Mining
Artist: L.N. Tallur
Classification: Sculpture
Date: 2022
Medium: Plywood
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Title: Lobby Still for the Film 'Dahej'
Artist: Unknown
Classification(s): Popular Art, Film Ephemera
Date: 1950
Medium: Silver gelatin print- black and white
Dimensions: Image: H. 15.9 cm, W. 20.8 cm
Place of Origin: Bombay (now Mumbai), Maharashtra, India
Accession Number: POP.00219
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Pokharan (sic.)
Photographer: Raghu Rai, Indian, born 1942
Classification(s): Modern Photograph
Date: 1975
Medium: Archival pigment print
Dimensions: Image: H. 60.8 cm, W. 77.5 cm
Place of Origin: Pokhran, Rajasthan, India
Accession Number: PHY.07091
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Untitled
Advertiser: Montu Das, Indian, born 1982
Classification(s): Painting
Date: 2012
Medium: Oil on canvas
Dimensions: Image: H. 182 cm, W. 135 cm; Canvas: H. 200 cm, W. 152 cm
Place of Origin: India
Accession Number: MAC.01503
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Heirloom Textile Fragment
Artist: Unknown Maker
Classification(s): Trade Textiles
Date: Late 18th century-early 19th century
Medium: Cotton
Dimensions: L. 120 cm, W. 84 cm
Place of Origin: Gujarat, India
Accession Number: TXT.00637
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: H. H. The Maharana Sajjan Singh of Udaipur
Assigned Title: His Highness Maharana Sajjan Singh (r.1874–1884) of Udaipur
Studio: Bourne & Shepherd
Classification(s): Portraits of Royal Families
Date: 1877
Medium: Woodburytype
Dimensions: Image: H. 19.3 cm, W. 12.2 cm; Paper: H. 30.1 cm, W. 23.6 cm
Place of Origin: Udaipur, Rajasthan, India
Accession Number: PHY.02473
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Wild Refuge
Artist: Anoushka Mirchandani, Indian
Classification(s): Painting
Date: 2021
Medium: Oil and oil pastel on canvas
Dimensions: Image: H. 91 cm, W. 91 cm; Canvas: H. 104.8 cm, W. 104.8 cm
Place of Origin: San Francisco, United States of America
Accession Number: MAC.00450
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Original Title: Jubbalpore - Rock formation
Assigned Title: Rock Formation at Jubbalpore (Jabalpur)
Studio: Saché & Murray Studios
Classification(s): Topography
Date: c. 1860
Medium: Albumen print
Dimensions: Image: H. 23 cm, W. 28 cm
Place of Origin: Jubbalpore (now Jabalpur), Madhya Pradesh, India
Accession Number: PHY.01343.AP
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Palanquin Pole-End
Artist: Unknown
Classification(s): Decorative Art Metalwork
Date: c.1840
Medium: Brass
Dimensions: H. 15.5 cm, W. 34.5 cm, D. 15.5 cm
Place of Origin: Tamil Nadu, India
Accession Number: SCU.00333
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru

Primary Title: Ceremonial Textile
Maker: Unknown Maker
Description: A patola textile, perhaps a shoulder cloth, woven in red, white, yellow, blue and black on a maroon ground.
The main field features two pairs of elephants with howdahs, each with an enclosed rectangle, surrounded by motifs of antelopes, tigers, monkeys, goats and birds. The pallus (end panels) of the textile are fringed and decorated with a row of tumpals (triangular motifs) adjacent to a band of lozenges. The lengthwise edges display yellow and white pinstripes on a red ground. The textile is highly disintegrated, and the missing parts have been restored by mounting it on another canvas and painting it in the same colours to match the pieces. Woven by the Jain weavers of the Salvi community, patola is a double ikat weaving technique with its origins in Patan, Gujarat. The term refers to both the technique and the resulting textile. Clearly defined ikat patterns are produced by wrapping, dyeing and weaving warp and weft threads, creating motifs such as flowers, jewels, parrots, elephants, dancing figures and geometric patterns. They are traditionally used as ceremonial saris by the Nagar Brahmins and Bohra Muslims from Gujarat and Maharashtra. Patolas were largely traded with and created for Southeast Asian markets until the early twentieth century.
Classification(s): Trade Textiles Embroidery - Woven: Patola
Date: early 19th century
Medium: silk
Dimensions: L. 432 cm, W. 134 cm
Place of Origin: Gujarat, India; for the Indonesian market
Accession Number: TXT.00879
Image courtesy of the Museum of Art & Photography (MAP), Bengaluru