At the Origins of the Caribbean: Taínos & Kalinagos at Fondation Clément

 

Ceremonial seat, duho
Greater Antilles, Hispaniola. Taino
1280-1400, Gaïac wood, 42.4 × 30.4 × 71.5 cm
Musée du quai Branly – Jacques Chirac, 71.1950.77.1 Am
Photo: musée du quai Branly – Jacques Chirac, Hughes Dubois

 
 

At the Origins of ​the Caribbean

Taínos & Kalinagos

December 14, 2025 — March 15, 2026

 

The exhibition "At the Origins of the Caribbean: Taíno & Kalinago" is the result of a partnership between the Fondation Clément and the Musée du quai Branly — Jacques Chirac. It presents more than 330 works from thirty cultural institutions in the Caribbean, Europe, and the United States.

This is the first exhibition of this scale dedicated to the earliest settlements and the two main Amerindian societies that inhabited the Caribbean archipelago at the time of European arrival in the late 15th century. It retraces over 6,000 years of history through a rich and well-documented journey, highlighting the cultures, skills, and beliefs of these founding civilizations.

For the first time in the Caribbean region, major works from prestigious collections will be brought together, originating from Martinique, Guadeloupe, Puerto Rico, and the Dominican Republic, alongside key pieces from German, British, American, Vatican, and French museums, most notably the masterpieces and historical artifacts of the Musée du quai Branly — Jacques Chirac. The exhibition will be interspersed with contemporary works, offering a vibrant dialogue between ancestral heritage and current artistic creation.

The exhibition At the origins of the Caribbean: Tainos & Kalinagos offers a unique and innovative immersion in the life and art of the Native American societies which inhabited the Caribbean archipelago at the time of the arrival of Europeans at the end of the 15th century, but also on their past as well as their future until our days. A few exhibitions have taken place in the past in the Caribbean addressing these different periods, but each time these were presentations at the level of a country or an island, with only local collections. Some unique works belonging to the Pantheon of Native American art will thus be presented as the ceremonial seat or duho taïno from the Musée du Quai Branly, the funerary urn from the Musée Barrois, ceramics from the culture of Saladero, two thousand years old from Martinique and Guadeloupe, several masterpieces from the Museo del Hombre dominicano, the Centro León and the Garcia Arevalo Foundation of the Dominican Republic, unique adornments of Hueca Culture from Puerto Rico. Many of these works are unpublished, such as those from the collection of the Berlin Museum (former collection of Guadeloupean Louis Guesde), or those from recent archaeological excavations in Martinique and Guadeloupe.

The Tainos and Kalinagos (formerly called the Island Caribbean), as they are called today, are the indigenous communities of the West Indies who first encountered Christopher Columbus and the conquistadors. As a result, they have also become the best known to the general public, but their history is much more complex than what school books such as popular works or tourist guides still too often say in a caricatured manner.

The Tainos, in the Greater Antilles, the Bahamas, and the north of the Lesser Antilles, and the Kalinagos, in the south of the latter, are therefore two indigenous societies which populated the Caribbean upon the arrival of Christopher Columbus in 1492. Beyond the events of this first "Meeting of the Two Worlds" and the conquest that followed, the exhibition intends to show how the Caribbean Sea and its string of islands, from Trinidad to Cuba, have a long history of several millennia anchored to the South American continent. As everywhere in the Americas, during this long time, migrations, developments and exchanges took place leading, over the centuries, to the advent of numerous cultures including the Tainos and Kalinagos of the end of the 15th century are not only the last. These Caribbean Native Americans, great sailors and skillful sinners, remarkable gardeners, cultivating many of the plants now consumed throughout the world, have developed complex and diverse societies, integrated into a broad network of alliances stretching from the South American continent to the Greater Antilles.

The first witnesses of this meeting of the two worlds, these Native American peoples of the Caribbean archipelago were also the first to undergo European conquest. Largely wiped out by colonization, wars and disease, they continue to be present today in a few islands such as the Kalinagos of Dominica and the Garifunas in Saint Vincent, or Taino descendants in Puerto Rico. These early West Indians left a large mark and numerous legacies in contemporary Creole societies.

 
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Exhibition Preview

 

Ceremonial seat, duho
Greater Antilles, Hispaniola. Taino
1280-1400, Gaïac wood, 42.4 × 30.4 × 71.5 cm
Musée du quai Branly – Jacques Chirac, 71.1950.77.1 Am
Photo: musée du quai Branly – Jacques Chirac, Hughes Dubois

Ceramic figure
Saint Lucia, Pointe des Cailles Suazey
Culture 1200-1400, Ceramic, 14 × 9 × 4 cm
Père-Pinchon Museum, Martinique - Territorial collectivity of Martinique, Fort-de-France /1994.1.353

Three-pointed stone
Lesser Antilles, Dominica, Taino
1200-1500, lithic, 42.4 × 21.5 × 15.5 cm
Musée du quai Branly – Jacques Chirac, 71.1893.60.1
Photo: musée du quai Branly – Jacques Chirac, Claude Germain

Ceremonial seat, duho
Dominican Republic, Taino, 1200-1500, lithic, 10.8 x 16 x 23.8 cm
Bernardo Vega donation, Centro León collection, AR-BV-365

Human heads and faces, guaizas
Dominican Republic, Taino 1200-1500, Shell, 8.4 cm
Fundacion Garcia-Arévalo, Santo Domingo /FGA-420

Effigy vase
Martinique, Basse Pointe, Gradis, Culture of Saladero 300-600 AD, Ceramic, 22 × 22.5 cm
Ministry of Culture, Directorate of Cultural Affairs of Martinique, Fort-de-France, Photo: Anne Chopin

Ax with two bird heads
Guadeloupe Undated, Lithic, 23 × 17 × 6 cm
Former Louis Guesde collection, Ethnologisches Museum, Berlin, IV Cb 307, IV Cb 308 Photo: Staatliche Museen zu Berlin, Ethnologisches Museum, Claudia Obrocki

The missal holder of Father Bartolomé de las Heras
Cuba, Taino, Spanish Around 1500?, Wood, turtle scales, fish bones, 31 × 37 × 8 cm
Musei Vaticani, Museo Anima Mundi, Città del Vaticano MV.101614.0.0

Head Macoris
Dominican Republic, Taino 1200-1500 AD, Lithic, 20 × 13.5 cm
Museo de Historia, Antropologia y Arte, Universidad de Puerto Rico, Rio Piedras, San Juan. Photo: John Betancourt

Human head
Guadeloupe, Saint-François, Anse à la Gourde Culture of Troumassé 800-1200 AD Coral, 18.4 × 8 × 5.5 cm
Ministry of Culture, Directorate of Cultural Affairs of Guadeloupe, Saint-Martin and Saint-Barthélemy, Baillif. Photo: Anne Chopin

Micro-vase with anthropomorphic figures
Dominican Republic, Taino 1200-1500, Manatee bone, 4.3 × 6.7 × 13.8 cm
Collection of the Ministerio de Cultura, Museo del Hombre Dominicano, Santo Domingo, MHD-A000350 Photo: Victor Duran Nuñez

Funeral necklace
Guadeloupe, Le Moule, Morel. Culture of Hueca 300 BC JC -300 AD. JC, Paragonite, aventurine, sudoite, amethyst, rock crystal, 17 × 15 cm
Departmental Museum of American Archeology-Edgar Clerc, Guadeloupe, 95.12.1 to 19

 
 

Jean-Michel Basquiat, Plastic Sax, 1984
Mixed media on canvas, 152.4 × 121.9 cm
Agnès b collection.