Benevolent Beings: Buddhas and Bodhisattvas from South and Southeast Asia at the Norton Simon Museum

 

Tara, 12th century
India: West Bengal or Bangladesh Brass
4-5/8 x 3-5/16 in. (11.7 x 8.4 cm)
© The Norton Simon Foundation

 
 

Benevolent Beings

Buddhas and Bodhisattvas from South and Southeast Asia

October 13, 2023 — February 19, 2024

 

Benevolent Beings: Buddhas and Bodhisattvas from South and Southeast Asia brings together 44 rarely seen works of art from the Norton Simon collections to explore the diverse ways in which buddhas, bodhisattvas and other protective deities have been seen to offer blessings, guidance and security to their devotees.

In South Asian Buddhist temples from the 13th to 18th centuries, works of art indicated a transition from the secular to the sacred, with the innermost spaces of the shrine reserved for the most revered objects. Drawing inspiration from these design elements, the exhibition begins with a gallery of utilitarian and instructive votive objects, such as a censer, or incense burner, as well as highly decorated covers for Buddhist manuscripts. Some objects functioned as tools for worship, whereas others were specifically designed to engage the senses.

A second gallery displays works of art that embody the divine realms of Buddhist and Hindu practice. Sculptures of the various bodhisattvas and gods in this section were often shaped through exchanges between Buddhist and Hindu visual and spiritual traditions. They reveal religious links as well as the transmission of sculptural styles and art-making processes throughout the region. A final space evokes the relinquishment of material attachments that forms the core of all Buddhist thought. Buddhas shown in deep and contemplative meditation display a repertoire of sculptural styles and shared artistic traditions.

Together, the works of art presented in this exhibition—which spans 2,000 years of production—speak to the continuity of devotional engagement with objects that remain essential to healing and tranquility in Buddhist and Hindu traditions. Positioning the Museum’s galleries as a restorative and auspicious space, this selection of South and Southeast Asian art illuminates the functions of these objects that transcend the visual by centering the well-being of all viewers.

 
 
 
 
 
 
 
 

Exhibition Preview

 

Descent of the Buddha (detail), 19th century
Attributed to Phurbu Tshering of Chamdo
Opaque watercolor and gold on cotton with silk border thanka: 18 x 12-1/4 in. (45.7 x 31.1 cm); overall: 39-1/2 x 23- 1/2 in. (100.3 x 59.7 cm)
Norton Simon Museum, Gift of Pratap and Chitra Pal

Sridevi, 11th century
India: Tamil Nadu
Bronze
16-3/8 in. (41.6 cm)
The Norton Simon Foundation

Buddha, 20th century
Nepal
Gilt bronze
12-3/8 x 5-5/8 x 3-3/4 in. (31.4 x 14.3 x 9.5 cm)
The Norton Simon Foundation

Head of a Bodhisattva or Deity, 4th-5th century
Pakistan or Afghanistan: Ancient Gandhara
Polychromed stucco
6-1/4 in. (15.9 cm)
The Norton Simon Foundation

Buddha Shakyamuni (and detail), 12th century
Nepal or Tibet
Gilt-copper alloy with traces of pigment
27-1/2 in. (69.9 cm)
The Norton Simon Foundation

Head of Buddha Shakyamuni, 8th century
Thailand: Mon-Dvaravati period
Bronze
6-1/2 in. (16.5 cm)
The Norton Simon Foundation

Vajrasatva and Vajrasatvatmika, 17th century
Tibet (?)
Pigment on paper
comp: 7-1/8 x 5-3/4 in. (18.1 x 14.6 cm); sheet: 7-7/8 x 6-1/4 in. (20.0 x 15.9 cm)
Norton Simon Museum, Gift of Pratap and Chitra Pal in memory of H. E. Richardson

Buddha Shakyamuni in Meditation, 5th–6th century
Sri Lanka: Anuradhapura period
Dolomite
18-1/2 x 12-3/4 x 6-1/2 in. (47.0 x 32.4 x 16.5 cm)
Norton Simon Museum, Gift of Iuliana and Mark Philips

Ganesha with the Hindu Triad, 10th century
India: Rajasthan (?)
Limestone
34 x 24-1/2 x 9 in. (86.4 x 62.2 x 22.9 cm)
The Norton Simon Foundation

Sridevi, 12th century
India: Tamil Nadu
Bronze
15-3/8 x 5-1/2 x 3-1/2 in. (39.1 x 14.0 x 8.9 cm)
The Norton Simon Foundation

Dipankara Buddha (and detail), c. 1600–1650
Nepal
Gilt and enameled copper with semiprecious stones and pigments
32-1/2 in. (82.6 cm)
Norton Simon Art Foundation

Head of Bodhisattva Avalokiteshvara, 9th century
India: Odisha, Ratnagiri
Grey-brown gneiss
13-1/2 x 7 x 7 in. (34.3 x 17.8 x 17.8 cm)
The Norton Simon Foundation