First Nations: Arts and Culture of the Northwest Coast of North America at Musée du quai Branly — Jacques Chirac

 

Tatltatlumtl transformation mask
Kwakwaka'wakw
British Columbia, Canada
Painted wood, graphite, cedar, canvas, rope, plant fibers, metal
71.1951.35.1
© Musée du quai Branly - Jacques Chirac, photo Hughes Dubois

 
 

First Nations

Arts and Culture of the Northwest Coast of North America

 

September 28, 2026 — January 16, 2027

Along nearly 1,800 kilometers of coastline and across some 40 languages, the First Nations of the American Northwest have made their art a sacred language, filled with spirits and totemic figures.

The First Nations of the American Northwest developed—without agriculture or writing—complex sedentary societies based on an abundance of natural resources: salmon, candlestick fish, marine mammals, and vast cedar forests. This wealth enabled a sophisticated way of life and an original way of thinking.

Their art, deeply rooted in their worldview, features mythical beings and spirit animals such as the Raven, the creator and ancestor of the clans. These figures, guardians of stories and ancestral rights, adorn totem poles, houses, masks, clothing, and everyday objects. Their artistic production follows precise symbolic and stylistic rules, making this art a sacred language.

In the 18th century, during their first encounters with Europeans, these peoples formed a mosaic of clans in which lineage was most often passed down through the female line. Rights, knowledge, and obligations structured a vast social network that connected communities far beyond the boundaries of individual villages.

Their philosophy and their creations have profoundly influenced anthropologists and artists, from Boas and Lévi-Strauss to Surrealists such as Max Ernst and André Breton. Today, their artistic and spiritual traditions remain alive, bearing witness to an exceptional heritage.

Curator
Steve Bourget, Head of the Americas Collections, Musée du quai Branly – Jacques Chirac

Associate Curator
Nika Collison, Director of the Haida Gwaii Museum, Canada

Exhibit Design
Atelier Maciej Fiszer

 
 
 
 

Exhibition Preview

 

Frontal headdress called "clan hat"
Tlingit
Alaska
Wood (yellow cedar or alder), pigments, shells (abalone or abalone), skin and tendons.
70.2006.1.1
© Musée du quai Branly - Jacques Chirac, photo Patrick Gries

Mask of a woman wearing a labret
Tlingit
Alaska
Wood, pigments
71.1882.30.1.1
© Musée du quai Branly - Jacques Chirac, photo Pauline Guyon

Ceremonial hair adornment
Tshimshian
British Columbia
Wood, abalone, leather
70.2002.31.1
© Musée du quai Branly - Jacques Chirac, photo Patrick Gries, Valérie Torre

Mask of a woman wearing a labret
Tlingit
Alaska
Wood, pigments
71.1882.30.1.1
© Musée du quai Branly - Jacques Chirac, photo Pauline Guyon

Pipe
Haida
British Columbia
Claystone
70.2017.12.1
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Pipe
Haida
British Columbia
Claystone
70.2017.12.1
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Ceremonial cape
Chilkat
British Columbia
Cedar bark fibers (chain), goat wool on cedar core (weft), cotton. Shaped weaving, corded weft tapestry.
70.2013.11.1
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Ceremonial cape
Chilkat
British Columbia
Cedar bark fibers (chain), goat wool on cedar core (weft), cotton. Shaped weaving, corded weft tapestry.
70.2013.11.1
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Zoomorphic rattle
British Columbia
Carved and painted wood
71.1885.78.49
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Zoomorphic rattle
British Columbia
Carved and painted wood
71.1885.78.49
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Zoomorphic rattle
British Columbia
Carved and painted wood
71.1885.78.49
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Tatltatlumtl transformation mask
Kwakwaka'wakw
British Columbia, Canada
Painted wood, graphite, cedar, canvas, rope, plant fibers, metal
71.1951.35.1
© Musée du quai Branly - Jacques Chirac, photo Hughes Dubois

Tatltatlumtl transformation mask
Kwakwaka'wakw
British Columbia, Canada
Painted wood, graphite, cedar, canvas, rope, plant fibers, metal
71.1951.35.1
© Musée du quai Branly - Jacques Chirac, photo Hughes Dubois

Anthropomorphic helmet
Tlingit
British Columbia
Hollowed wood, traces of polychromy, plant fibers
71.1951.34.1
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Anthropomorphic helmet
Tlingit
British Columbia
Hollowed wood, traces of polychromy, plant fibers
71.1951.34.1
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Hat
British Columbia, Canada
Braided plant fibers
71.1885.78.357
© Musée du quai Branly - Jacques Chirac, photo Pauline Guyon

Painted chest
Tlingit
Alaska
Wood, polychrome decor
71.1894.99.21
© Musée du quai Branly - Jacques Chirac, photo Pauline Guyon

Shamanic sculpture
British Columbia, Canada
Wood, pigments, shell, human hair, iron
70.2021.47.1
© Musée du quai Branly - Jacques Chirac, photo Pauline Guyon

Shamanic sculpture
British Columbia, Canada
Wood, pigments, shell, human hair, iron
70.2021.47.1
© Musée du quai Branly - Jacques Chirac, photo Pauline Guyon

Frontal mask
Tshimshian
British Columbia
Wood, graphite, paint, abalone fragments, shell covers
71.1951.35.3
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Frontal mask
Tshimshian
British Columbia
Wood, graphite, paint, abalone fragments, shell covers
71.1951.35.3
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Frontal mask
Tshimshian
British Columbia
Wood, graphite, paint, abalone fragments, shell covers
71.1951.35.3
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Pillar of house gwasila
Large anthropomorphic totem pole
Kwakwaka'wakw
British Columbia, Canada
Red cedar wood
71.1975.123.1
© Musée du quai Branly - Jacques Chirac, photo Hughes Dubois

Bird-shaped container used for halibut oil
Kwakwaka'wakw
Vancouver, Canada
Wood, mother-of-pearl inlays
71.1947.47.1
© Musée du quai Branly - Jacques Chirac, photo Patrick Gries

Pipe effigy
Haida
Canada
Wood, marine ivory, abalone mother-of-pearl, copper
70.2023.55.1
© Musée du quai Branly - Jacques Chirac, photo Pauline Guyon

Anthropomorphic transformation mask
Haida
British Columbia, Canada
Cedar wood, fibers, dark green, red, black and white polychromy, metal
70.2003.9.2
© Musée du quai Branly - Jacques Chirac, photo Claude Germain

Anthropomorphic transformation mask
Haida
British Columbia, Canada
Cedar wood, fibers, dark green, red, black and white polychromy, metal
70.2003.9.2
© Musée du quai Branly - Jacques Chirac, photo Claude Germain