Ghosts and Demons in Japanese Prints at the Art Institute of Chicago

 

Ichikawa Danjūrō V as a Skeleton, Spirit of the Renegade Monk Seigen, and Iwai Hanshirō IV as the Cherry Princess, in “Flower of Edo: An Ichikawa Saga” (Edo no Hana Mimasu Soga)
Katsukawa Shunsho
Japan 
1783
Color woodblock print; hosoban diptych
Clarence Buckingham Collection
1938.491
© The Art Institute of Chicago

 
 

Ghosts and Demons in Japanese Prints

 

July 15, 2023 — October 15, 2023

There’s a Chinese legend about a man, Zhong Kui, who failed the examinations to become a scholar-official and subsequently took his own life. The emperor, upon hearing of this tragedy, had him buried with high honors, thereby securing his protection as a spirit guardian who would defend the country from supernatural forces.

In Japan, Zhong Kui was called Shōki the Demon Queller and depicted in prints as a Chinese official dressed in a dark robe, boots, and cap, wielding the sword he uses to subdue demons. A popular subject, his image was often displayed in homes and on banners in the belief that it helped to ward off disease.

Supernatural beings have always been common features in Japanese legends, prints, and Kabuki theater. The prints on view in this exhibition, all from our celebrated Clarence Buckingham Collection, capture common Japanese folk tales as well as their Kabuki adaptations from the early 18th-century to the last years of the 19th century, offering distinct insight into the nature of these beloved stories and characters.

Amid the performances depicted in these prints are Kaidan mono, or Kabuki ghost plays. Ghost plays were known to feature dramatic special effects: quick costume changes in moments when an actor transformed into a ghost or the use of trap doors and flying apparatuses to terrify and excite the audience. Kaidan mono were most often put on in the heat of summer, the traditional time for telling ghost stories. Tales were meant to give the audience a chill. It’s our hope that this summer exhibition of these astonishing prints brings visitors a chill of their own.

Ghosts and Demons in Japanese Prints is curated by Janice Katz, Roger L. Weston Associate Curator of Japanese Art, the Art Institute of Chicago.

 
 
 
 
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Exhibition Preview

 

May: Shoki the Demon Queller Riding on a Tiger, Subjugating Goblins, from the series "Of the Twelve Months: the Fifth (Junikagetsu no uchi: gogatsu)"
Kawanabe Kyôsai
Japan
1887
Color woodblock prints; oban triptych
Nathalie Gookin Fund in memory of Frederick W. Gookin
1984.1371
© The Art Institute of Chicago

Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Katsushika Hokusai
Japan
1826–1836
Color woodblock print; chuban
Clarence Buckingham Collection
1943.602
© The Art Institute of Chicago

Raiko (Minamoto no Yorimitsu) and the demon kite
Totoya Hokkei
Japan
1820–1830
Color woodblock print; shikishiban surimono
Gift of Helen C. Gunsaulus
1954.525
© The Art Institute of Chicago

Onoe Shōroku I as the Ghost of the Shirabyōshi Hanako Standing over Osagawa Shichizō II as Tsumagi, Maid Servant to Sakurahime, in Uruō-ōgi Sumizome no Sakura
Utagawa Toyokuni I
Japan
1805–1815
Color woodblock print; oban
Samuel M. Nickerson Fund
1936.87
© The Art Institute of Chicago

An Inauspicious Day
Suzuki Harunobu
Japan
1764–1770
Color woodblock print; hashira-e
Clarence Buckingham Collection
1928.937
© The Art Institute of Chicago

Shoki, the Demon Queller
Okumura Masanobu
Japan
1740–1750
Hand-colored woodblock print; habahiro hashira-e, urushi-e
Clarence Buckingham Collection
1942.123
© The Art Institute of Chicago

The Laughing Demoness (Warai Hannya), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Katsushika Hokusai
Japan
1831–1832
Color woodblock print; chuban
Clarence Buckingham Collection
1943.605
© The Art Institute of Chicago

Onoe Matsusuke I as the Ghost of the Wet-Nurse Iohata and Matsumoto Kojiro as Mokuemon, in “Tokubei of India: Tales of Strange Lands” (Tenjiku Tokubei ikoku banashi)
Utagawa Toyokuni I
Japan
1799–1809
Color woodblock print; oban
Clarence Buckingham Collection
1925.3159
© The Art Institute of Chicago

Ichikawa Monnosuke II as Shimokōbe Shōji Yukihira and Segawa Yūjiro I as Matsukaze, Sister of Togashi no Saemon, in “Your Favorite Play: The Subscription List” (Gohiiki Kanjinchō)
Katsukawa Shunsho
Japan
1768–1778
Color woodblock print; hosoban
Clarence Buckingham Collection
1925.2429
© The Art Institute of Chicago

Ichikawa Danjūrō VII as Watanabe no Tsuna and Segawa Kikunojō V as the Female Demon, in “Modori Bridge” (Modoribashi)
Utagawa Kunisada I (Toyokuni III)
Japan
1833
Color woodblock print; surimono
Gift of Helen C. Gunsaulus
1954.670
© The Art Institute of Chicago

Oiwa (Oiwa-san), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Katsushika Hokusai
Japan
1831–1832
Color woodblock print; chuban
Clarence Buckingham Collection
1943.603
© The Art Institute of Chicago

Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)
Torii Kiyonaga
Japan
1762–1773
Color woodblock print; hosoban, benizuri-e
Clarence Buckingham Collection
1928.1000
© The Art Institute of Chicago

Sakata Kintoki Wrestling with a Tengu
Torii Kiyomasu I
Japan
1710–1718
Hand-colored woodblock print; o-oban, tan-e
Clarence Buckingham Collection
1925.1726
© The Art Institute of Chicago

General Tamichi, from the series A Mirror of Famous Japanese Generals
Tsukioka Yoshitoshi
Japan
1880
Color woodblock print; oban
Purchased with funds provided by Mrs. Gerald Gidwitz
1984.5
© The Art Institute of Chicago

The Mansion of the Plates (Sara yashiki), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Katsushika Hokusai
Japan
1831–1832
Color woodblock print; chuban
Clarence Buckingham Collection
1943.604
© The Art Institute of Chicago

Shoki the Demon Queller Sharpening His Sword
Okumura Masanobu
Japan
1720–1730
Hand-colored woodblock print; hosoban, urushi-e
Clarence Buckingham Collection
1942.77
© The Art Institute of Chicago

Man Falling Backward, Startled by a Woman's Ghost over a River
Katsukawa Shunsho
Japan
1777–1787
Color woodblock print; hosoban diptych
Clarence Buckingham Collection
1938.497
© The Art Institute of Chicago

Love-Smitten Demons
Torii Kiyonaga
Japan
1777–1787
Color woodblock print; hashira-e
Clarence Buckingham Collection
1925.2818
© The Art Institute of Chicago

Onoe Matsusuke I as the Ghost of the Warrior Ki no Natora, in Kiku no En Mukashi no Miyako
Katsukawa Shun'ei
Japan
1786–1796
Color woodblock print; hosoban
Clarence Buckingham Collection
1925.2507
© The Art Institute of Chicago

Ichikawa Danjūrō V as a Skeleton, Spirit of the Renegade Monk Seigen, and Iwai Hanshirō IV as the Cherry Princess, in “Flower of Edo: An Ichikawa Saga” (Edo no Hana Mimasu Soga)
Katsukawa Shunsho
Japan 
1783
Color woodblock print; hosoban diptych
Clarence Buckingham Collection
1938.491
© The Art Institute of Chicago