Utamaro: Elements of Beauty at The Art Institute of Chicago

 

Kitchen Scene
c. 1794/95
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban diptych
Clarence Buckingham Collection
1925.2289
© The Art Institute of Chicago

 
 

Utamaro
Elements of Beauty

September 23, 2026 — December 20, 2026

 

Idealized but also nuanced, Kitagawa Utamaro’s portrayals of women were groundbreaking.

While his subject—beautiful women—had been a mainstay in ukiyo-e (pictures of the floating world) from its beginning, Utamaro invested his subjects with a fresh vibrancy, experimenting with dramatic close-ups that hint at the women’s complex inner lives.

Utamaro began his meteoric rise in 1780, when as a young artist, he began working with the publisher Tsutaya Jūzaburō. The pair collaborated for more than a decade, during which time Utamaro developed his characteristic rendering of feminine beauty.

He portrayed courtesans and geisha as well as ordinary women, but it was the women of the Yoshiwara, the famous pleasure district in Edo (present-day Tokyo), who particularly inspired his designs. These works showcase the period’s elaborate fashions in hairstyles and clothing, including the diaphanous fabrics and multiple layers of garments worn. In addition, his work focused on the hidden worlds of courtesans and the everyday lives of women at work or at home. Utamaro also illustrated a number of extraordinary printed books, many of which are considered the pinnacle of woodblock printing. 

This exhibition brings together more than 40 of Utamaro’s most celebrated designs, all drawn from the Art Institute’s collection.

Utamaro: Elements of Beauty is curated by Janice Katz, Roger L. Weston Curator of Japanese Art, Arts of Asia.

 
 
 
 
 
 
 

Exhibition Preview

 

Enjoying the Cool in a Garden
c. 1788/90
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban triptych
Clarence Buckingham Collection
1925.2345
© The Art Institute of Chicago

Preparing a Meal
c. 1798/99
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3031
© The Art Institute of Chicago

The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu)
c. 1800/01
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1939.2143
© The Art Institute of Chicago

Hour of the Dragon (Tatsu no koku), from the series “Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)”
c. 1794
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3054
© The Art Institute of Chicago

Takashima Ohisa
c. 1793
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1928.1038
© The Art Institute of Chicago

Geisha (Geigi), from the series “Three Amusements of Contemporary Beauties” (“Tosei bijin san’yu”)
c. 1800
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; naga-oban
Gift of Mr. Gaylord Donnelley
1969.692
© The Art Institute of Chicago

Hour of the Boar (I no koku), from the series “Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)”
c. 1794
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3061
© The Art Institute of Chicago

Beauty Wearing a Summer Kimono, from the series “New Patterns of Brocade Woven in Utamaro Style” (“Nishiki-ori Utamaro-gata-shinmoyo”)
c. 1796/98
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3049
© The Art Institute of Chicago

Hour of the Hare [6am] (U no koku), from the series “The Twelve Hours in Yoshiwara” (“Seiro juni toki tsuzuki”)
c. 1794
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3053
© The Art Institute of Chicago

Naniwaya Okita
c. 1793
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3064
© The Art Institute of Chicago

Yamauba Holding Chestnuts while Kintaro Reaches for Them
c. 1804/05
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; naga-oban
Clarence Buckingham Collection
1952.394
© The Art Institute of Chicago

Takashima Ohisa
c. 1795
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3030
© The Art Institute of Chicago

Geisha and Attendant on a Rainy Night
c. 1797
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Gift of Mr. and Mrs. Gaylord Donnelley
1968.158
© The Art Institute of Chicago

Seiro niwaka onna geisha no bu : Asazumabune Ogiuri Uta…..
1793
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3032
© The Art Institute of Chicago

Kitchen Scene
c. 1794/95
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3044
© The Art Institute of Chicago

Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series “Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)”
1794
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3040
© The Art Institute of Chicago

Mirror, from the series “Eight Views of Tea-stalls in Celebrated Places” (“Meisho koshikake hakkei”)
c. 1795/96
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1928.1043
© The Art Institute of Chicago

Messenger with a Letter, from the series “Elegant Five-needled Pine (Furyu goyo no matsu)”
c. 1797/98
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Gift of Mr. Gaylord Donnelley
1969.691
© The Art Institute of Chicago

Hanaogi of the Ogiya, from the series “Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)”
c. 1795/96
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3824
© The Art Institute of Chicago

Hour of the Monkey [4pm] (Saru no koku), from the series “The Twelve Hours in Yoshiwara” (“Seiro juni toki tsuzuki”)
c. 1794
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3058
© The Art Institute of Chicago

The Asahiya Widow, from the series “Renowned Beauties Likened to the Six Immortal Poets” (“Komei bijin rokkasen”)
c. 1795/96
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print
Clarence Buckingham Collection
1925.3823
© The Art Institute of Chicago

Hour of the Dog (Inu no koku), from the series “Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)”
c. 1794
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3060
© The Art Institute of Chicago

The Scoop-Net
c. 1800/01
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban triptych
Clarence Buckingham Collection
1925.2319
© The Art Institute of Chicago

Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase)
c. 1790
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock-printed book
Martin A. Ryerson Collection
2022.1403
© The Art Institute of Chicago

Kitchen Scene
c. 1794/95
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban diptych
Clarence Buckingham Collection
1925.2289
© The Art Institute of Chicago

Hour of the Ox [2am] (Ushi no koku), from the series “The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)”
c. 1794
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; oban
Clarence Buckingham Collection
1925.3051
© The Art Institute of Chicago

House cleaning in preparation for the New Year
late 1790s
Kitagawa Utamaro 喜多川 歌麿
Japanese, c.1753-1806
Color woodblock print; three left sheets of oban pentaptych
Clarence Buckingham Collection
1925.2321
© The Art Institute of Chicago